Sunday, 22 October 2017

XF

XF must be the king for geometric patterns.  I've wanted a vase in this pattern for years, but until now have always been outbid.  So it must be quite a popular pattern, which make sense given that you get so much more decoration for your money.  This example was painted by Vera Bridle who worked at Poole between 1923 and '33, and I think it suits the shape (no 418) really well. 

Sunday, 15 October 2017

Lilly Pedley

Same shape and same painter as the last post and this vase came to me from the same collector too.  This time its painted in OS pattern and glazed in the traditional Poole style

Saturday, 14 October 2017

One extreme to another

A fraction of the size of the vase in the last post, at just 8 cm tall, this shape number 583 vase was painted, in the RU pattern, by Lilly Pedley, some time between 1925 and 1932.

Sunday, 8 October 2017

Nitromors magic

This huge (34cm tall) glazed "Etruscan" vase arrived from Ebay last month. It was listed with what looked like white scuff marks to the surface, and this made sense as these pots are quite susceptible to surface damage.   However when it arrived this scuffing turned out to be white paint - it looked like someone had brushed against it when painting nearby.
Old pots often collect small specks of paint, presumably from being left in situ while ceilings are being rollered.  Paint doesn't stick very well to a glazed surface and usually specks of paint will wash off easily with warm water.  The paint on this pot was a different matter however.  The rough unglazed surface made a perfect canvas and the paint was stuck.   Luckily I remembered reading in a pot conservation guide that nitromors is used by conservators to remove old glue from repairs.  It seemed quite drastic at the time, but an old can of nitromors and several cotton wool buds later and the vase looks to be in factory-fresh condition.  It turns out that nitromors will burn skin, completely melt paint, but magically leaves pottery untouched.
The pattern is AB and it was painted by Ruth Pavely in the early 1930's.  The V&A have a similar vase.


Saturday, 30 September 2017

Studland

This Studland pattern coffee pot came together with a few cups and saucers and a sugar bowl.  I don't have room to display those other pieces, but the coffee pot looks good standing among other decorative, less functional ware. Studland tableware was designed by Harold Stabler in 1930 and the shapes were clearly influenced by his earlier work as a silversmith. The apple green glaze was created by John Adams. 

Sunday, 24 September 2017

Garden City

This bowl was lot 227 in the same Hansons' 27th June 2016 sale in which the pot in the previous post was listed.  I did really well that day!
It was cataloged as having a floral skyscraper design. but I've always seen this LP pattern as a much more straight forward roses and trellis design with Art Deco chinoiserie styling, that sits comfortably alongside other rose and trellis patterns, PU and PI.  So to prove me right, I googled "early skyscrapers", thinking that they would all be pointy and Chrysler-like, but in fact there are quite a few boxy ones from the 1930's. So maybe floral skyscraper isn't so far-fetched.

Saturday, 23 September 2017

Cogwheels

I like this vase for the slightly cogwheel styling of the flowers.  The overlapping and concentric circles on this and other Poole patterns remind me also of the Sonia and Robert Delaunay paintings of the teens and twenties of the 20th century. So this vase was definitively on-trend when it was made in the late 1920's or early 1930's. It's 18 cm tall, shape number 575 (I think), pattern DX, painted by Ruth Pavely and it was lot 151 in the 27th June 2016 Hansons' Decorative Arts sale.

Saturday, 16 September 2017

Wobbly jug

I love this little jug.  The thick tin glaze, on a pot so small, gives it a really wobbly look.  It's made from buff coloured stoneware, measures a little over 7 cm tall, and is marked with the first CSA factory mark, shape number T324, a pattern mark that I think is /A and a painters mark that I cant decipher.

Monday, 28 August 2017

This pot was sold at the Warren and Wignall auction on 8th February 2017.  It caught my eye because I hadn't seen this glaze before, and now it's mine, it still remains something of a mystery, at least to me.
It's marked as shape number 291, has the CSA Ltd stamp (so dates from 1925 to '34) and has a painted number 1, that must refer to the glaze.  It has a red body, that I think is more highly fired than the usual earthernware body and has a thick glaze.  Both the body and glaze have been ground down on the base as you find on the chinese blue vases.
If anyone has any more insights I would be glad to hear from you.

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